Memory, Writing, Alienation

Some more reflections in interaction with Walter Ong’s work, this time an essay originally published in The Written Word: Literacy in Transition (Oxford, 1986) titled “Writing Is a Technology that Restructures Thought.”

Literacy does its work of transformation by restructuring the cultural and personal economy of memory and installing a self-alienation at the heart of literate identity.

The world of orality is fundamentally evanescent.  Spoken words themselves have begun to pass out of existence before they are fully formed by the speaker’s mouth.  The spoken word is in this way a telling image of oral society; each generation is always already fading into the unremembered past as it inhabits the present.  The accumulated knowledge and wisdom of an oral society exists only as it is remembered by individuals so that each member of the group shares in the cognitive burden of sustaining and transmitting the group’s cultural inheritance.  This work of memory preoccupies the cultural life of oral societies and configures the individual as a node within a network of cultural remembering.  Oral society is thus fundamentally conservative and collective.

Writing disrupts and rearranges this situation by offloading, to a significant degree, the cognitive burden of remembering from the living memory of each individual to the written word.  This work of cognitive offloading generates recurring debates, as we first encounter in Plato, about the proper modes of memory.  These debates reflect the (often unrecognized) force with which new mnenotechnologies impact a society.  As Ong notes, the frozen, lifeless written word is in another, paradoxical sense alive.  It achieves permanence and is “resurrected into limitless living contexts by a limitless number of living readers.”  Furthermore, the “lifeless” written word, by both resourcing and reconfiguring the economy of memory, also injects a new dynamism into literate cultures. It does so by relieving the conservative pressure of cultural remembrance thus encouraging what we might call intellectual entrepreneurship.

This new dynamism is, however, accompanied by various forms of alienation.  Crucially, writing dislodges a portion of one’s memory, a critical aspect of identity, from oneself.  To the extent that identity is constituted by memory, identity must be, to some extent, divided in literate societies.  Ong details the alienating work of writing when he lists fourteen instances of separation effected by writing:

1. Writing separates the known from the knower

2. Writing separates interpretation from data

3. Writing distances the word from sound

4. Writing distances the source of communication from the recipient

5. Writing distances the word from the context of lived experience

6. Due to 5., writing enforces verbal precision unavailable in oral cultures.  (In other words, without the context provided by face-to-face communication, words have to work harder in writing to make meaning clear.  This is why we sometimes feel compelled to use smiley faces in electronic communication — to communicate tone.)

7. Writing separates past from present.

8. Writing separates administration — civil, religious, commercial — from other types of social activities.

9. Writing makes it possible to separate logic from rhetoric.

10. Writing separates academic learning from wisdom.

11. Writing can divide society by splitting verbal communication between a “high” spoken language controlled by writing and a “low” controlled by speech.  (For example, “proper” English is really “written” English, while devalued vulgar and colloquial speech patterns are “spoken” English.)

12. Writing differentiates grapholects, dialect taken over by writing and made into a national language, from other local dialects

13. Writing divides more evidently and effectively as its form becomes more abstract, that is more removed from the world of sound to the world of sight.

14. Writing separates being from time.

By making thought (and so also the self) present to itself, literacy introduces an irreparable fissure into identity and consciousness, but one that is, in Ong’s account, ultimately “humanizing.”  Last word from Ong:

To say writing is artificial is not to condemn it but to praise it . . . By distancing thought, alienating it from its original habitat in sounded words, writing raises consciousness.  Alienation from a natural milieu can be good for us and indeed is in many ways essential for fuller human life.  To live and to understand fully, we need not only proximity but also distance.  This writing provides for, thereby accelerating the evolution of consciousness as nothing else before it does.

What I Might Have Written About If I Had More Time

Some blogs have a regular post each week (sometimes cleverly titled, unlike mine) in which they list a bunch of links that they think readers might enjoy visiting.  Without being regular about it, I have in the past put up similar posts, and now may be good time to revisit the format.  So here are some items that, had I more time, may have generated something more than passing reference, but, as it stands …

  • At the New York Times, Maureen Dowd considers the Catholic Church’s efforts to minister through the Internet in “Forgive Me, Father, For I Have Linked”.  Here’s her clever (depending on your mood) rendition of the Lord’s Prayer:

Our Father, who art in pixels,
linked be Thy name,
Thy Web site come, Thy Net be done,
on Explorer as it is on Firefox.
Give us this day our daily app,
and forgive us our spam,
as we forgive those
who spam against us,
and lead us not into aggregation,
but deliver us from e-vil. Amen.

  • In The New Yorker, Adam Gopnik has a long review essay of 2010 books that addressed the impact of the Internet on our thinking including, of course, Nick Carr’s The Shallows and Clay Shirky’s Cognitive Surplus

Two pieces that will either excite you or depress you depending on your disposition:

And, finally, on publishing revolutions old and new:

Technique, Perception, and Friendship

Ivan Illich

Illich on Ellul

In 1993, at a gathering in honor of Jacques Ellul, Ivan Illich spoke of Ellul’s influence on his own thinking, particularly through Ellul’s theorizing of technique.  Along the way, Illich gives us this intriguing genealogy of his first encounter with Ellul’s work:

La technique entered my existence in 1965 in Santa Barbara, the day when, at Robert Hutchins’s Center, John Wilkinson gave me a copy of The Technological Society that he had just translated, following up on the strong recommendation of Aldous Huxley.

The author of Brave New World clearly found much to admire in Ellul.  Illich goes on to explain the advantage conferred by appropriating Ellul’s analytical concept:

I have adopted this Ellulian concept because it permits me to identify – in education, transport, modern medical and scientific activities – the threshold at which these projects absorb, conceptually and physically, the client into the tool; the threshold where the products of consumption change into things which themselves consume; the threshold where the milieu of technique transforms into numbers those who are entrapped in it; the threshold where technology is decisively transformed into Moloch, the system.

That, of course, is a rather grim analysis of the imperialism of technique, which for Ellul is not simply equated with technology. In The Technological Society, Ellul defines technique as “the totality of methods, rationally arrived at and having absolute efficiency (for a given stage of development) in every field of human activity.”  He goes on explain how “technique enslaves people, while proffering them the mere illusion of freedom, all the while tyrannically conforming them to the demands of the technological society with its complex of artificial operational objectives.”  So the target of Ellul’s criticism was not technology per se, but a society that had reduced human existence to the tyranny of machinic standards of efficiency and production.  In other words, his target was not so much the machines, as the society that reduces persons to machines.

Echoing McLuhan on media as extensions of man, Illich continues in dire vein:

Existence in a society that has become a system finds the senses useless precisely because of the very instruments designed for their extension. One is prevented from touching and embracing reality. Further, one is programmed for interactive communication, one’s whole being is sucked into the system. It is this radical subversion of sensation that humiliates and then replaces perception.  We submit ourselves to fantastic degradations of image and sound consumption in order to anesthetize the pain resulting from having lost reality.

Precisely (and perversely) where we have adopted a tool to connect us with reality, we have lost touch with reality.

It is interesting in the end to note the point to which Illich brings his appreciation of Ellul and his own indictment of technological society:

Therefore, it appears to me that we cannot neglect the disciplined recovery, an asceticism, of a sensual praxis in a society of technogenic mirages. This reclaiming of the senses, this promptitude to obey experience, the chaste look that the Rule of St. Benedict opposes to the cupiditas oculorum (lust of the eyes), seems to me to be the fundamental condition for renouncing that technique which sets up a definitive obstacle to friendship.

One is reminded of the conclusion of Alasdair MacIntyre’s After Virtue in which we are left waiting “not for a Godot, but for another — doubtless very different — St. Benedict.”  MacIntyre hinged his moral philosophy on the recovery of “local forms of community within which civility and the intellectual and moral life can be sustained” — or, with Illich, friendship.

Jacques Ellul

Memory, Knowledge, Identity, Technology

Memory, knowledge, identity, technology — these are intimately bound together and it would be difficult to disentangle one from the others.  What is it to know something if not to remember it?  Beyond the biological facts of my existence what constitutes my identity more significantly than my memory?  What could I remember without technologies including writing, books, pictures, videos, and more?  Or to put it in a more practical way, what degree of panic might ensue if your Facebook profile were suddenly and irrevocably deleted?  Or if your smart phone were to pass into the hands of another?  Of if you lost your flash drive?  Pushing the clock back just a little, we might have similarly asked about the loss of a diary or photo albums.

The connection among these four, particularly memory and technology, is established as early as the Platonic dialogs, most famously the Phaedrus in which Socrates criticizes writing for its harmful effects on internal memory and knowledge.  What we store in written texts (or hard drives, or “the cloud”) we do not remember ourselves and thus do not truly know it.  The form of this debate recurs throughout the subsequent history of technology all the way to the present debates over the relative merits of computers and the Internet for learning and education.  And in these debates it is almost de rigueur to begin by citing Plato’s Phaedrus either the reinstall or dismiss the Socratic critique.  Neil Postman began his book, Technopoly: The Surrender of Culture to Technology, with reference to Phaedrus, and Phaedrus appears as well in Nicholas Carr’s now (in)famous Atlantic essay, “Is Google Making Us Stupid?”.

The rejoinder comes quickly though:  Surely Socrates failed to appreciate the gains in knowledge that writing would make possible.  And what if I offload information to external memory, this simply frees my mind for more significant tasks. There is, of course, an implicit denigration of mere memory in this rebuttal to Socrates.

Yet some tension, some uneasiness remains.  Otherwise the critique would not continue resurfacing and it wouldn’t elicit such strong push back when it did.  In other words, the critique seems to strike at a nerve, a sensitive one at that, and when again we consider the intimate interrelationship of memory with our ideas about knowledge and education and with the formation and maintenance of our identities it is not surprising at all.  A few posts down I cited Illich’s claim that

What anthropologists distinguish as ‘cultures’ the historian of mental spaces might distinguish as different ‘memories.’  The way to recall, to remember, has a history which is, to some degree, distinct from the history of the substance that is remembered.

I’m wondering now whether it might also be true that a history of personal identity or of individuality could be told through a history of memory and its external supports.  Might we be able to argue that individualism is a function of technologies of memory that allow a person to create and sustain his own history apart from that of the larger society?

In any case, memory has captured my attention and fascinating questions are following hard.  What is memory anyway, what is it to remember a name, a look, a person, a fact, a feeling, where something is, how to do something, or simply to do something?  What do we remember when we remember?  How do we remember?  Why do we remember?  And, of course, how have the answers to all of these questions evolved along with the development of technology from the written word to the external hard drive?

On that last note, I wonder if our choice to call a computer’s capacity to store data “memory” has not in turn affected how we think of our own memory.  I’m especially thinking of a flash drive that we hold in hand and equate with stored memory.  In this device I keep my pictures, my documents, my videos, my memories — memory, or a certain conception of it, is objectified, reified.  Is memory merely mental storage?  Or has this metaphor atrophied our understanding of memory?

Of course, metaphors for memory are nothing new.  I’m beginning to explore some of these ideas with Paul Ricoeur’s Memory, History, Forgetting, and Ricoeur reminds us that in another Platonic dialog, the Theaetetus, Socrates offers the block of wax in our souls as a metaphor for our memory.  And Socrates suggests, “We may look at it, then, as a gift of Mnemosyne [Memory], the mother of the Muses.” I’ll keep you posted as the Muses urge.