Networked Momentum, or Why It Can Be So Hard To Opt Out

The NY Times’ Room for Debate forum has taken up the question: “Is Facebook a Fad? Will Our Grandchildren Tweet?” Contributors included Sherry Turkle and Keith Hampton among others. Each offers a quick take on the question of about 300 to 500 words.

In his comments addressing adoption patterns of social media networks, Hampton, a professor of communications at Rutgers, makes the following observation:

“Once critical mass has been reached, not only does the value to participants increase, but the cost of not participating and of discontinuance also increases. It is costly – in that you risk social isolation – to abandon a technology used by the majority of your communication partners.”

When I read this I was immediately reminded of the very useful concept of “technological momentum” articulated by historian of technology Thomas Hughes. I’m going to pull a Jonah Lehrer here and copy and paste a brief description of “technological momentum” from a post a few months back:

“Hughes seeks to stake out a position between technological determinism on the one hand and social constructivism on the other. He finds both accounts ultimately inadequate even though each manages to grasp a part of the whole situation. As a mediating position, Hughes offers the concept of “technological momentum.” By it Hughes seeks to identify the inertia that complex technological systems develop over time. Hughes’ approach is essentially temporal. He finds that the social constructivist approach best explains the behavior of young systems and the technological determinist approach best explains the behavior of mature systems. ‘Technological momentum’ offers a more flexible model that is responsive to the evolution of systems over time.”

Hughes was mostly concerned with what we might call hardware. The power grid was one of his key examples. But Hampton has articulated a social network variation of the principle. It is not enough to talk about social media participation merely in terms of opting in or opting out. For one thing, even those who opt out aren’t really altogether “out” as the folks at Cyborgology have pointed out. For another, one ought to account for the very real costs attached to opting out. These costs constitute an inertial force that can keep users logged on. Perhaps we might call these “sticky” networks.

 

Too Visible to Be Seen

The late David Foster Wallace opened his well-regarded Kenyon College commencement address of 2005 with a joke*:

“There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says “Morning, boys. How’s the water?” And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes ‘What the hell is water?'”

The point, of course, is that we tend to lose sight of the most pervasive realities. Or, as Wallace put it, “The immediate point of the fish story is that the most obvious, ubiquitous, important realities are often the ones that are the hardest to see and talk about.” This is, as Wallace went on to say, a rather banal observation to make. And yet, it’s not. Or at least, it is an observation that we must make over and over again because, by its very nature, it slips unnoticed from consciousness.

In “The Machine Stops,” an early story of science-fiction by E. M. Forester, the Machine drones on incessantly but the noise is never noticed because it is never not present. In a very different context, C. S. Lewis wrote, “The music which is too familiar to be heard enfolds us day and night and in all ages.” Too familiar to be heard. Too familiar to be seen. Too familiar to be noticed. The most pervasive forms of visibility fade into invisibility. And so it is with all of our senses. There is a paradoxical threshold past which a sensation is too pronounced to be any longer noticed. My understanding is that Hegel made a similar observation about the invisibility of the familiar, but I don’t pretend to be conversant with Hegel.

In any case, the point is simply this: we tend to be disconcertingly unaware of the realities which most profoundly make us the sort of people we are and that give shape to our day-to-day existence.

Sociologist Arnold Gehlen divided culture into background and foreground. He understood this in terms of the choices that present themselves to us. We experience the foreground of culture as a realm in which choices are before us. The background appears to us a realm in which choices are foreclosed. In reality, we do have choices in both cases; but the background elements of culture present themselves with such taken-for-granted force that the choice remains veiled.

In the classic example, we chose what clothes to wear this morning (foreground), but whether or not to wear clothes at all did not present itself to us as a choice (background). Again, ubiquity and pervasiveness serve to blind us. Now putting it that way is unnecessarily pejorative. In fact, we probably couldn’t get very far as individuals or as a society if certain decisions had not moved into the background of culture.

I bring all of this up to register a corollary point regarding technology. Ubiquitous technologies that recede into the realm of shadowy familiarity are perhaps best positioned to exercise a formative influence over us precisely because we have stopped thinking about them.

So take a look around. What technologies have worked their way into the background of our lives, ever present and unnoticed? What choices do they veil? What assumptions to they engender? What patterns of life do they facilitate? What have they led us to take for granted?

These will all be difficult questions to answer — thinking about them is not unlike trying to jump over your own shadow — but we’d better try and keep trying if we’re to live well-ordered lives.

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* I was reminded of this little story while reading a fine essay titled, “Orangic, Locally-Grown Technology.”

The Borg Complex

[Update: See the Borg Complex primer here.]

“Is technology good for religion?”

Well, it was only a matter of time. Actually, I’m surprised I’ve only lately come across the question. The formulation echoes previous queries such as “Is Google Making Us Stupid?” and “Is Facebook Making Us Lonely?” In this case, the title does not belong to a fully developed essay in The Atlantic, but rather to a brief blogpost. It was published at The Immanent Frame, a scholarly site devoted to the sociology of religion, and it pointed readers to a recent (and not quite scholarly) piece in the Washington Post by Lisa Miller.

The title of Miller’s article dispensed with the pretense of an interrogative, opting instead for a confident declarative: “The religious authorities and pundits are wrong: Technology is good for religion.” So there you have it. Case closed. End of discussion. Although, of course, nothing could be further from the truth.

I read a lot about technology and its consequences for individuals, institutions, and society. To the writing of such articles, essays, and books there is now seemingly no end. The quality of such work varies considerably; some of it is thoughtful, some of it hysterical (and not in the humorous sort of way). Perspectives on the relative merits of technology vary greatly as well. There are unabashed critics and boosters, and more temperate souls as well. All of this is as one would expect, and I typically don’t mind reading pieces from points all along the spectrum.

But occasionally I will come across a piece that irks me. Usually it is not the content that manages to unbalance my humors, it is the tone. This tone arises from what I’ve just now decided to call a “Borg Complex.” The implicit tone of those with a Borg Complex can be summed up by the line, “Resistance is futile.” That line has entered our pop-cultural lexicon through the Star Trek franchise. I won’t pretend to be an expert on Borg lore; I’ll only note that the Borg always announced some variation of the following to their victims: “We will add your biological and technological distinctiveness to our own. Resistance is futile.”

The spirit of the Borg lives in writers and pundits who take it upon themselves to prod on all of those they deem to be deliberately slow on the technological uptake. These self-appointed evangelists of technological assimilation would have us all abandon any critique of technology and simply adapt to the demands of technological society.  Except, of course, that when this message is articulated by humans with a Borg Complex it loses the tone of cool, malevolent indifference and instead takes on a tone of grating condescension. The tone is also characterized by the annoying self-assurance of those who have seen the light and feel a mixture of pity and disgust toward the poor souls who remain in the darkness.

Miller’s essay is a case in point. Although it displays a milder manifestation, it still helpfully demonstrates some of the standard symptoms of the Borg Complex.

1. Makes grandiose, but unsupported claims: “Technology can greatly enhance religious practice. Groups that restrict and fear it participate in their own demise.”

2. Uses the term Luddite a-historically and as a casual slur: “Luddites insist that nothing can replace the human touch of a faith community …”

3. Pays lip service to, but ultimately dismisses genuine concerns: “And this, of course, is true. But …”

4. Equates resistance or caution to reactionary nostalgia: “To insist that new ways of relating are not good or Godly ones is backward looking.”

5. Starkly and matter-of-factly frames the case for assimilation: “When new generations bring their values to religion, religion will have to adapt.”

6. Announces the bleak future for those who refuse to assimilate: “If religious groups don’t embrace and encourage the practice of faith online, the faithful might go shopping instead.”

In the coming days I might work on a fuller diagnostic guide for the Borg Complex with some suggestions for treatment.

Until then, carry on with the work of intelligent, loving resistance were discernment and wisdom deem it necessary.

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Read updates to the Borg Complex case files here.

While My Robot Gently Weeps

The possibility of a robot-apoclaypse — in which robots either enslave, destroy, or otherwise disrupt human civilization — has been a recurring plot of science-fiction for some time now. The Terminator franchise is perhaps the most recognizable and popular variation on the theme. In these stories the robots are malign in their clinical, calculating, robot-like way. Not the sorts of creatures one would envision offering comfort and sympathy by one’s death-bed. But this is the scenario Dan Chen’s installation, “Last Moment Hospital,” invites us to imagine and even experience.

The robot Chen created amounts to a padded mechanical arm that “senses” the impending moment of death and while stroking the patient’s outstretched arm offers these words of succor:

“I am the Last Moment Robot. I am here to help you and guide you through your last moment on Earth. I am sorry that your family and friends can’t be with you right now, but don’t be afraid. I am here to comfort you. You are not alone, you are with me. Your family and friends love you very much, they will remember you after you are gone.”

According to Leslie Katz’s write up of the exhibit, Chen’s intent is two-fold:

“On the one hand, the image ‘reveals the cruelty of life, lack of human support/social connections,’ Dan Chen, who created the robot, tells Crave. ‘On the other hand, the robot becomes something that you can trust/depend on. It could give you the ‘placebo effect’ of comfort.'”

This, again, is an art exhibit, but one does not have to stretch the imagination very far to imagine it as a very real feature of end-of-life care in, say, Japan, for example, where robots already serve many similar purposes.

There’s a great deal that can be said about this exhibit, its message (if I may be so crass), and its plausibility. Others will be able to say most of those things with greater depth and wisdom than I; but there’s one observation I’d like to register, however inadequately.

It will be tempting for many to see in this installation a parable of technology’s nefarious application, of the manner in which machines barbarize society. But this exhibit, and its materialization if it comes to it, signals not the manner in which machines brutalize humanity, but rather another sad truth, how humanity brutalizes itself.

Technology is not neutral. This is the point I usually stress. But we are not, therefore, absolved of the manner in which we put our technologies to use. Moreover, we are not absolved of the guilt incurred by the creation of conditions which finally necessitate the design of technologies of care that must perform the acts of love and mercy that are the proper work of human persons.

The robot-apocaplyse, if it comes to it, will not arise from the maliciousness of robots, but from the inhumanity of human beings toward each other. It is a paradox: our machines become more human to the degree that we become more machine-like. The great task before us, then, is to fulfill our humanity in such a way that robots will never be needed to do for us what we alone can do for one another.

Keeping Time, Keeping Silent

What shape does a well ordered life take and how does one achieve such a thing? I certainly don’t have a story of personal triumph on this score to share with you, but I’m fairly certain that if I did it would focus on the re-ordering of a disordered relationship to time. Time, in fact, is the theme of a commencement address delivered by Paul Ford to the Interaction Design MFA program at the School of Visual Arts in New York City. The speech, titled “10 Timeframes”, addresses the changing frames by which we measure and understand our experience of time, from the farmer whose frames are the changing season to the computer scientist who works with nanoseconds.

Commencement addresses are difficult to do well or in any kind of original fashion, but Ford managed both and my excerpts here will not convey either the feel or the insight of the whole. That said, here are the fragments of Ford’s speech I want to bring into conversation with the second piece which I’ll get to in just a minute. After giving a few illustrative examples, Ford reminds his listeners of the following:

“So it’s only a few hundred years ago that people started to care about centuries, and then more recently, decades. And of course hours and minutes. And in the last 40 years we’ve got 86 trillion nanoseconds a day, and a whole industry trying to make every one of them count.”

He introduced the nanosecond by referring back to a book published in the early 1980’s on the history of the computer, The Soul of a New Machine. After quoting one engineer describing the significance of nano-seconds, Ford then tells his audience,”One of the engineers in the book burned out and quit and he left a note that read: ‘I am going to a commune in Vermont and will deal with no unit of time shorter than a season.'”

Ford, who is speaking to creative types who will design digital tools that other creative types will use to do all sorts of work, concludes: “And I want you to ask yourself when you make things, when you prototype interactions, am I thinking about my own clock, or the user’s? Am I going to help someone make order in his or her life, or am I going to send that person to a commune in Vermont?”

Perhaps it would not be so bad to be in a commune in Vermont, but Ford clearly understood that one engineer’s decision to be the product of exhaustion — exhaustion that resulted from continuous work within a frame of time that led to a disordered experience of life.

Many of the discontents and disorders associated with modernity, discontents and disorders that are exacerbated by the advent of digital culture, revolve around time. Ford reminds us that our experience of time has a history, a history intimately tied to our machines for measuring time as Lewis Mumford observed many years ago. Mumford’s observations about the mechanical clock, whose origins lie in medieval monasticism, segue nicely (and somewhat paradoxically) to the second piece.

“How Silence Works”, a transcript of Jeremy Mesiano-Crookston’s email interviews with Trappist monks in the Benedictine Order living in Quebec, also dwells on the shape of the well ordered life. As the title suggests, the interviews focus on the place of silence in the monastic life. Contrary to popular belief, the Trappists take no “vow of silence,” although silence is an integral part of their communal life. As with Ford’s piece, I encourage you to read the whole, it is brimming with timely wisdom and insight.

Out of the many passages that are worth noting in the email exchanges, I’ll draw your attention to two. The first ties in nicely with Ford’s concerns. Mesiano-Crookston asks, “Out of curiosity, do the monks in the cloister watch the daily news? Are you interested in cultural changes in the world?” In response one monk wrote,

“I wonder if a lot of the cultural complexity you refer to [in a previous question] seems interesting to people because they have lost so much consciousness of [their] ancestors and the long view afforded by a knowledge of history. If you don’t know history, everything today can seem quite novel. But in the larger context of the story of human history, much of what fascinates, today, is quite redundant.”

The practices of the monastery, including the practice of silence, a practice that has the collateral effect of slowing down time, yield a frame of time (to borrow Ford’s terminology) quite different from the frame of time most of us work with in our day to day life. Saying as much is probably stating the obvious. But without suggesting that we all take up the monastic life, it would seem that with smaller gestures we might come closer to an ordering of time that was, simply put, better for us. Perhaps taking a cue  from the monastic life, we might learn to cultivate small rituals that establish a more humane rhythm for our daily life. Such small gestures are certainly within the realm of the possible for most of us. We might find that such small gestures — micro-practices to borrow sociologist Pierre Bourdieu’s wording — may have a considerable impact on the shape of our experience.

Asked whether they believed the practice of silence were beneficial for all people, one of the monks replied,

“I would say the cultivation of silence is indispensable to being human. People sometimes talk as if they were “looking for silence,” as if silence had gone away or they had misplaced it somewhere. But it is hardly something they could have misplaced. Silence is the infinite horizon against which is set every word they have ever spoken, and they can’t find it? Not to worry—it will find them.”

Perhaps. It is hard to quibble with a point so eloquently put; but while silence may indeed find us, I think that we ought also to do a little searching for it ourselves. At the very least, we should be prepared to receive it when it does find us. Perhaps then, in silence, we will find ourselves better able to recalibrate our frame of time and achieve something more closely resembling a well-ordered life.