Late last month, Alan Jacobs presented 79 Theses on Technology at a seminar hosted by the Institute for Advanced Studies in Culture at the University of Virginia. The theses, dealing chiefly with the problem of attention in digital culture, were posted to the Infernal Machine, a terrific blog hosted by the Institute and edited by Chad Wellmon, devoted to reflection on technology, ethics, and the human person. I’ve long thought very highly of both Jacobs and the Institute, so when Wellmon kindly extended an invitation to attend the seminar, I gladly and gratefully accepted.
Wellmon has also arranged for a series of responses to Jacobs’ theses, which have appeared on The Infernal Machine. Each of these is worth considering. In my response, “The Spectrum of Attention,” I took the opportunity to work out a provisional taxonomy of attention that considers the difference our bodies and our tools make to what we generally call attention.
Here’s a quick excerpt:
We can think of attention as a dance whereby we both lead and are led. This image suggests that receptivity and directedness do indeed work together. The proficient dancer knows when to lead and when to be led, and she also knows that such knowledge emerges out of the dance itself. This analogy reminds us, as well, that attention is the unity of body and mind making its way in a world that can be solicitous of its attention. The analogy also raises a critical question: How ought we conceive of attention given that we are embodied creatures?
Click through to read the rest.