The Inhumanity of Smart Technology

I’m allergic to hyperbole. That said, Evgeny Morozov identifies one of the most important challenges we face in the coming years:

“There are many contexts in which smart technologies are unambiguously useful and even lifesaving. Smart belts that monitor the balance of the elderly and smart carpets that detect falls seem to fall in this category. The problem with many smart technologies is that their designers, in the quest to root out the imperfections of the human condition, seldom stop to ask how much frustration, failure and regret is required for happiness and achievement to retain any meaning.

It’s great when the things around us run smoothly, but it’s even better when they don’t do so by default. That, after all, is how we gain the space to make decisions—many of them undoubtedly wrongheaded—and, through trial and error, to mature into responsible adults, tolerant of compromise and complexity.”

Exactly right.

“Out of the crooked timber of humanity no straight thing was ever made,” Kant observed. Corollary to keep in mind: If a straight thing is made, it will be because humanity has been stripped out of it.

What is the endgame of the trajectory of innovation that is determined to eliminate human error, deviance, and folly? In every field of human endeavor — whether it be industry, medicine, education, governance — technological innovation reduces human involvement, thought, and action in the name of precision, efficiency, and effectiveness.

Morozov’s forthcoming book, To Save Everything, Click Here: The Folly of Technological Solutionism, targets what he has called “solutionism,” the temptation, I take it without having read the book yet, to view the Internet as the potential solution to every conceivable problem. I’m tempted to suggest for Morozov the target of his next book: eliminationism — the progressive elimination of human thought and action wherever possible. Life will increasingly consist of automated processes, actions, and interactions that will envelope and frame the human and render the human superfluous. Worse yet, insofar as the human is ultimately the root of our inconveniences and our problems, solutionism’s ultimate trajectory must lead to eliminationism.

There are tragic associations haunting that last formulation, so let me be clear. It is not (necessarily) the elimination of human beings that I’m worried about; it is the elimination of our humanity. The fear — and why not, let’s embrace its most popular cultural icon — is that we will be rendered zombies: alive but not living, stripped of the possibility for error, risk, failure, triumph, joy, redemption, and much of what renders our lives tragically, gloriously meaningful.

Albert Borgmann had it right. We must distinguish between “trouble we reject in principle and accept in practice and trouble we accept in practice and in principle.” In the former category, Borgmann has in mind troubles on the order of car accidents and cancer.  By “accepting them in practice,” Borgmann means that at the personal level we must cope with such tragedies when they strike. But these are troubles that we oppose in principle, and so we seek cures for cancer and improved highway safety.

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Against these, Borgmann opposes troubles that we also accept in practice, but ought to accept in principle as well. Here the examples are preparation of a meal and hiking a mountain.  These sorts of troubles, sometimes not without their real dangers, could be opposed in principle — never prepare meals at home, never hike — but such avoidance would also prevent us from experiencing their attendant joys and satisfactions. If we seek to remove all trouble or risk from our lives; if we always opt for convenience, efficiency, and ease; if, in other words, we aim indiscriminately at the frictionless life; then we simultaneously rob ourselves of the real satisfactions and pleasures that enhance and enrich our lives — that, in fact, make our lives fully human.

Huxley had it right, too:

“But I don’t want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”

“In fact,” said Mustapha Mond, “you’re claiming the right to be unhappy.”

“All right then,” said the Savage defiantly, “I’m claiming the right to be unhappy.”

In claiming the right to be unhappy, the Savage was claiming the right to a fully human existence. It is a right we must take increasing care to safeguard against our own fascination with the promises of technology.

Cataloging the Borg Complex

In June of last year, I read an article which strongly urged religious institutions to adapt to new communication technologies. Adapt or die, the author seemed to say; or, better yet, resistance is futile. This is when it occurred to me that there was an identifiable rhetoric that could be usefully labeled a “Borg Complex.” Labels have their limits, of course, but when you have a name for something it becomes easier to identify and analyze.

I’m persuaded of the usefulness of this particular label because, at the very least, it draws attention to rhetoric that shuts down debate and discussion about technology. In it’s worst forms this rhetoric is disingenuous and coercive. Even when it is not deployed maliciously, it oversimplifies genuine complexity and prevents us from imagining the full range of possibilities with regards to our use of technology.

The label also raises some interesting historical, philosophical, and ethical questions about technology. How far back can we find this kind of rhetoric? To what ends is this rhetoric put? Apart from rhetorical considerations, what do we make of the technological determinism implied? What does the history of technology tells us about the claims of inevitability? What sorts of options and choices are genuinely available when a technology appears?

In order to continue thinking through these questions and to draw attention to this rhetoric, I’ve started a Tumblr blog cataloging instances of the Borg Complex and related material. You can check it out here: The Borg Complex. And, naturally, I’m soliciting your help. If you come across cases of the Borg Complex, past or present, I invite you to send those in. Contact information is listed in the About This Blog page.

MOOCs: Market Solution for Market Problems?

Of the writing about MOOCs there seems to be no end … but here is one more thought. Many of the proponents of MOOCs and online education* in general couch their advocacy in the language of competition, market forces, disrupting** the educational cartels***, etc. They point, as well, to the rising costs of a college education — costs which, in their view, are unjustifiable because they do not yield commensurate rewards.**** MOOCs introduce innovation, efficiency, technological entrepreneurship, cost-effectiveness and they satisfy consumer demand. The market to the rescue. But when you look closely at the named culprits these proponents of MOOCs blame for rising costs, they include frivolous spending on items that are not directly related to education such as luxury dorms, massive sporting complexes, state-of-the-art student recreational centers, out-of-control administrative expansion, etc. But why are colleges spending so much money on such things? Because the market logic triumphed. Students became consumers and colleges had to compete for them by offering a host of amenities that, in truth, had little to do with education. Market solutions for market problems, then.***** MOOCs are just the extension of a logic that triumphed long ago. On this score, I’d suggest the universities need to recover something of their medieval heritage, rather than heed the siren songs of the digital age.

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*I resisted, in the name of the semblance of objectivity, the urge to place ironical quotation marks around education.

**I resisted, in the name of decency, the urge to curse out loud as I typed disruption.

***Heretofore known as universities.

****These rewards are, of course, always understood to be pecuniary.

*****This is the hidden genius of disruption, brought to you by many of the same folks who gave us technological fixes for technological problems.

Eternal Sunshine of the Spotless Digital Archive

The future is stubbornly resistant to prediction, but we try anyway. I’ve been thinking lately about memory, technologies that mediate our memories, and the future of the past.

The one glaring fact — and I think it is more or less incontrovertible — is this: Digital technology has made it possible to capture and store vast amounts a data.

Much of this data, for the average person, involves the documentation of daily life. This documentation is often photographic or audio-visual.

What difference will this make? Recently, I suggested that in an age of memory abundance, memory will be devalued. There will be too much of it and it will be out there somewhere — in a hard drive, on my phone/computer,  or in the cloud. As we confidently and routinely outsource our remembering to digital devices and archives, we will grow relatively indifferent to personal memories. (Although, I don’t think indifferent is the best word — perhaps unattached.)

This too seems to me incontrovertible. It is the overlooked truth in Plato’s much-maligned critique of writing. Externalized memory is only figuratively related to internalized memory.

But I was assuming the permanence of these digital memories. What if our digital archives prove to be impermanent? What if in the coming years and decades we realize that our digital memories are gradually fading into oblivion?

Consider the following from Bruce Sterling: “Actually it’s mostly the past’s things that will outlive us. Things that have already successfully lived a long time, such as the Pyramids, are likely to stay around longer than 99.9% of our things. It might be a bit startling to realize that it’s mostly our paper that will survive us as data, while a lot of our electronics will succumb to erasure, loss, and bit rot.”

It might turn out that Snapchat is a premonition. What then?

Scenario A: Digital memory decay is a technical problem that is eventually solved; trajectory of memory abundance and consequent indifference plays out.

Scenario B: Digital memory decay remains a persistent problem.

Scenario B1: We devote ourselves to rituals of digital memory preservation. Therapy first referred to the care of the gods. We think of it as care for the self, sometimes involving the recollection repressed memories. Perhaps in the future these senses of the word will mutate into therapy understood as the care of our digital memories.

Scenario B2: By the time the problem of digital memory decay is recognized as a threat, we no longer care. Memory, we decide, is a burden. Mutually reinforcing decay and indifference then yield a creeping amnesia of long term memory. Eternal sunshine indeed.

Scenario B3: We reconsider our digital dependence and reintegrate analog and internalized forms of memory into our ecology of remembrance.

Scenario C: All of this is wrong.

In truth, I can hardly imagine a serious indifference to personal memory. But then again, I’m sure those who lived in societies whose cultural forms were devoted to tribal remembrance could hardly imagine serious indifference to the memory of the tribe. They probably couldn’t imagine someone caring much about their individual history; it was likely an incoherent concept. Thinking about the future involves the thinking of that which we can’t quite imagine, or is it the imagining of that which we can’t quite think. In any case, it’s not really about the future anyway. It’s about trying to make some sense of forces now at work and trying to reckon with the long reach of the past, which, remembered or not, will continue to make itself felt in the present.

To See, or To Be Seen

When we think about the consequences of a new technology, we are prone to ask about what can be done with it. We think, in other words, of the technology as a tool which is put to this use or that. We then ask whether that use is good or bad, or possibly indifferent.

So take, for example, a relatively new product like Twitter’s Vine. Vine is an app that is to video what Twitter is to text. It invites you to record and post videos, but these videos can be no more the six seconds in length. If you’re unfamiliar with Vine, you can watch a seemingly random selection of new videos at Vinepeek.

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When you first hear of Vine, and you think about evaluating it (because you happen to be in a critical frame of mind), what sorts of questions do you ask? I suspect the first question that will typically come to mind is this: What will people post with this new tool? Will the videos be touching, beautiful, surprising, revealing? Will they be trashy, abusive, pornographic, violent? Or, will they be inane, predictable, mind-numbing?

Of course, videos posted to Vine will likely be all of these things in some necessarily depressing proportion. But this is only the first and most obvious question one could ask.

Here is another possible question: How does the use of Vine shape the way one perceives experience?

There are other questions, of course, but it is this question of perception I find to be really fascinating. The use of technology leads to consequential actions out there, in the world. But the use of technology also carries important consequences in here, within me. The question of perception is especially important for two reasons. First, and most obviously, our perception is the ground of pretty much everything else we do. How we “see” things leads to certain kinds of thoughts and feelings and actions. Secondly, that by which we perceive tends to fade from view; we don’t, to take the most obvious example, see the eyes through which we see everything else.

This means that one of the most important consequences of a new technology might also be the consequence we are least likely to become aware of, and this only heightens its influence.

So how does the use of Vine shape perception? Like most documentary technology, the use of Vine will likely encourage users to “see” potential Vines in their experience just as a camera encourages users to “see” potential photographs. But what do we make of this new frame by which we are prompted perceive? That depends, I think, on the degree to which users become self-aware of the medium, the possibilities it creates, and the constraints it imposes.

Reality is always out there; certain aspects are apparent to us, certain aspects are concealed. New technologies may reconfigure what is revealed and what is concealed to us. Slow-motion film, for instance, does not create a new reality; it alters perception and thereby reveals previously concealed dimensions of reality. (I think this is the sort of thing Walter Benjamin had in mind when he discussed the “optical unconscious.”)

Technologies of perception — and really all technologies impact perception — reveal and conceal. No one technology can simultaneously reveal the whole of reality. If it reveals some new dimension of reality, it is because it simultaneously conceals some other dimension. A user that is self-conscious of how a new technology can be used to perceive experience creatively might use a new medium such as Vine to imaginatively make others aware of some previously unnoticed aspect of reality.

To those who care about such things, I think that Martin Heidegger’s influence is hiding between the lines of this post. The German philosopher had a great deal to say about technology and how it affects our perception, how it becomes a part of us. He used the phrase “standing reserve” to describe how modern technology encouraged us to reduce material reality to a fund of resources just there on stand-by, “ready-to-hand,” that is ready to be put to use by us for our purposes. The intrinsic properties of what is rendered merely standing reserve are obscured or lost altogether. We see, we perceive such things only as they are useful to us. We don’t see such things as they are; and “such things” are sometimes not “things,” but persons.

With a technology like Vine, the question may be whether it is used with a view  to the world as “standing-reserve,” there merely to be exploited for our own uses (which often amount to making ourselves seen), or whether it is used as a means of revealing the world, of allowing some previously muted aspect of reality to be seen.

Of course, this question applies to much more than Vine. It is a question to ask of all technology.