Pensées: An Imaginative Thought Experiment

Imagine a not too distant future in which there exists a café of the sort that you would expect to find in a trendy urban district where young professionals and aspiring artists gather to work, to socialize, and, of course, to be seen.

This café is different, though. There are no tables or couches; no bar stools or lounge chairs. There are, however, a series of numbered doors lining the interior walls. Above each door, a digital clock counts down from assorted and seemingly random times. Occasionally, a faint thumping can be heard, but it is indistinct and barely noticeable.

Customers enter the café and approach the service bar. They order a latte or an espresso or chai and they sign some papers. They pay while they wait for their drink, and, when it is ready, they take it along with a bracelet and a plastic card.

Drink in hand, they make their way to one of the numbered doors, swipe the card to unlock it, and they walk inside. Behind them the door closes and locks automatically. Outside, above the door, the digital clock above the door begins to count down from three hours. Inside, the patron sets his coffee down at a bare table and pulls out the lone chair. The acoustic foam lining the walls makes every sound palpable: the unzipping of the laptop bag; the placing, gently, of the ultra-slim computer on the table; the first few keystrokes.

A glance at the signal strength indicator confirms what has been agreed upon: no wireless signal. So too does a tug on the door handle: locked, from the outside.  And it is as quiet as promised, except for the surprisingly audible thumping of the heart.

Clever proprietors had discovered that people are now willing to pay to be kept, for a period of time, in an enforced state of un-distractedness.  Years earlier, certain applications had promised something similar. They offered Freedom from distraction by preventing a device from connecting to the Internet for a pre-determined period of time. But this extension of the will proved too easily circumvented. A more radical cure was needed.

Having signed the appropriate legal waivers, customers at Pensées were securely locked into their cells so that they may work, without interruption, on whatever task needed their undivided attention. The bracelets monitored their vital signs in the event of a medical emergency. Barring such an emergency, proprietors pledged to keep the door closed without exception. (Patrons were aware that cameras monitored the inside of each cell; only legal and legitimate work was to be done within, naturally.) It was not uncommon, then, for some patrons eventually to demand, by sometimes frantic gesticulations, that they be allowed to exit.

Such requests were always denied as a matter of course. It was for this denial of their misguided desire, after all, that they had paid their good money.

Those who came to Pensées, and to similar establishments, had discovered by then that their unaided will could not be trusted. They came to be productive: to finish their papers or work on their manuscripts and screenplays. Some came simply to sit and think. The more religious, came to pray or to meditate.

Such acts may have been possible outside the soundproof walls of Pensées’ cells, but this was merely a theoretical possibility to most. (Of course, those who ran Pensées never suggested that, even within the walls of their cells, the possibility remained thoroughly theoretical.)

Inside their cells, the experience of patrons proceeded along a surprisingly predictable path. With eager hopefulness they set up their workspace just so and launched, almost giddy, into their work. Within minutes, sometimes seconds, they would casually laugh off the urge they suddenly felt to check their smartphones for some incoming message or alert. They had no signal, they knew, but the urge persisted. They felt silly when they took out their smartphones to confirm what they already knew to be the case. Then, they put it away with a self-knowing smirk; or, rather, they set it down within view of their peripheral vision. No harm done since there was no signal, but, annoyingly, glances followed.

Between glances, eyes would flit toward that place on the screen were numbers in parenthesis would signal new items of various sorts that required attention. But there were none of these either, just as had been hoped for and paid for. But it was increasingly frustrating to catch oneself repeatedly looking anyway.

After a few minutes of this, work would resume, but in bursts punctuated by periods of wandering thoughts, random observations, and disjointed inner monologues. Perhaps decaf would be better next time. It’s hard to focus when a muscle twitches involuntarily. The inability to voluntarily direct one’s attention was bad enough; that the body would now prove equally unruly was dispiriting.

It was not unusual for some to then reach for their smartphones, almost unconsciously, and then to handle it as if it were their rosary beads.* Or they may stand up and pace about the cramped but comfortable cell, not yet anxiously, only to get the blood flowing before sitting down to work with renewed focus. And so they did, for a short while, before they began to wonder if it was not absurd to pay to be locked in a room. And how much time had gone by they wondered? The phone, at least, was still good for that – to register the fact that hardly any time at all had passed.

Some then grew anxious as they fixated on time, which advanced glacially. Silence, for which they had been willing, just minutes before, to pay, now seemed oppressive. No work was being accomplished, and most thoughts that were thought turned out to be depressingly banal; those that were not were disconcerting.

They turned to the camera and wondered just how serious the proprietors were about refusing to allow patrons to exit their cells. Quite serious, it always turned out, despite the desperate pounding of some. Anxiety attacks did not, according to the terms agreed to, constitute a medical emergency.

Some eventually fell asleep. Some went back to their desks to eek out some semblance of work so that they would have something, at least, to show for their ordeal. Others stared blankly at the door, straining to hear the gentle tone that would signal the end of their time in the cell.

When it came, some patrons exited hurriedly and others stumbled out, bewildered. A few tried to make a good show of it, walking off with whatever air of accomplishment they could feign. Most were seen eagerly staring at their smartphone waiting for it to come online. Surprisingly, every so often, there were some who walked away looking as if they’d learned something rather important. About what, exactly, it was never clear.

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*An image I owe to Ian Bogost.

Downton Abbey and Technology

Tonight American audiences rekindle their fascination with Downton Abbey, the popular BBC series set in a stately English manor during the early twentieth century. It is a series that dramatizes the decline and dissolution of a world shorn apart by the violent winds of social change. In the series, the Great War, the women’s movement, socialism, and other contemporaneous developments chip away at the old order. But the opening scene of the pilot episode also strongly suggests that this older world is giving way to the forces of technological change. Consider the first two minutes:

The tapping of telegraph, the whistle of the locomotive, and the curves of power lines all feature prominently in these opening shots. And so too does the sinking of the Titanic, a near mythical case study in the dangers of technological hubris. Strikingly, the telegraph lines and the progress of the train are juxtaposed with idyllic country scenes. It is a filmic version of a prominent nineteenth century literary convention.

Consider the following passage from Nathaniel Hawthorne’s journal. While enjoying the enchantments of the natural (and cultural) world around him, Hawthorne is startled:

“But, hark! there is the whistle of the locomotive — the long shriek, harsh, above all other harshness, for the space of a mile cannot mollify it into harmony. It tells a story of busy men, citizens, from the hot street, who have come to spend a day in a country village, men of business; in short of all unquietness; and no wonder that it gives such a startling shriek, since it brings the noisy world into the midst of our slumbrous peace.”

This passage is a point of departure for Leo Marx’s classic study of technology in the American literary tradition, The Machine in the Garden. Similar vignettes were a recurring feature in the literature of the nineteenth century. For Hawthorne, Emerson, and many of their contemporaries, the train whistle signaled the industrial machine’s disruption of a pastoral ideal in which human culture blended harmoniously with nature.

The opening scenes of Downton Abbey fit neatly within this genre. Of course, Hawthorne was writing about what were for him contemporary realities. We are far removed from the historical setting of Downton Abbey. For us the train whistle signals little more than a break in traffic and the telegraph is merely quaint. But I wonder whether the popularity of Downton Abbey stems, at least in part, from its evocation of the specter of disruptive technological change. It offers the anxieties of a safely distant age as a proxy for our own, and, perhaps, in doing so it also offers something like a cathartic experience for viewers.

Perhaps it merely traffics in nostalgia for an idyllic age, but I doubt it. We know from the outset that there is a snake in the garden. The train, the power lines, the Titanic — they are so many momento mori littering the scene. More likely we are like the Angel of History in Benjamin’s reading of Klee’s Angelus Novus:

“His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress.”

As the storm blows us onward we can’t help but glance back at the wreckage of the past piling up behind us … or some often romanticized, frequently commodified representation of it that may or may not bear any resemblance to historical realities.

Of course, it may just be the memes.

The Borg Complex Case Files

UPDATE: See the Borg Complex primer here.

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“Resistance is futile.” This is what the Borg, of Star Trek fame, announces to its victims before it proceeds to assimilate their biological and technological distinctiveness. It is also what many tech gurus and pundits announce to their audiences as they dispense their tech-guru-ish wisdom. They don’t quite use those words,of course, but they might as well. This is why I’ve taken to calling this sort of rhetoric a Borg Complex.

I first wrote about the Borg Complex last June in response to an article on technology and religion which confidently announced that “religion will have to adapt.” The line, “Resistance is futile,” could have unobtrusively made its way into the article at any number of places.

Using this same article as a specimen, I identified six tell-tale symptoms of a Borg Complex.

1. Makes grandiose, but unsupported claims for technology

2. Uses the term Luddite a-historically and as a casual slur

3. Pays lip service to, but ultimately dismisses genuine concerns

4. Equates resistance or caution to reactionary nostalgia

5. Starkly and matter-of-factly frames the case for assimilation

6. Announces the bleak future for those who refuse to assimilate

These symptoms may occur singly or in some combination, and they may range form milder to more hysterical manifestations. Symptoms of the Borg Complex also tend to present with a smug, condescending tone, but this is not always the case. Those who suffer from a Borg Complex may also exhibit an earnest, pleading tone or one that is mildly annoyed and incredulous.

As a more recent example of symptom number 2, consider Tim Wu writing in the NY Times about the response of some communities to apps that allow one to book cabs or rent out an apartment:  “But they’re considerably less popular among city regulators, whose reactions recall Ned Ludd’s response to the automated loom.” Clearly a bad thing in Wu’s view.

An interesting case of the Borg Complex was on display in a Huffington Post interview of Evernote CEO, Phil Libin. Libin is discussing Google Glasses when he says:

“I’ve used it a little bit myself and – I’m making a firm prediction – in as little as three years from now I am not going to be looking out at the world with glasses that don’t have augmented information on them. It’s going to seem barbaric to not have that stuff. That’s going to be the universal use case. It’s going to be mainstream. People think it looks kind of dorky right now but the experience is so powerful that you feel stupid as soon as you take the glasses off… We’re spending a good amount of time planning for and experimenting with those.”

“It’s going to seem barbaric to not have that stuff.” Here’s an instance of the Borg Complex that does not fit neatly within the symptoms described above. It’s some combination of 1, 5, and 6, but there is something more going on here. Context provides a little clarity though. This case of the Borg Complex is wrapped up in the potential sale of some future product. So the symptoms are inflected by the marketing motive. It is perhaps a more passive-aggressive form of the Borg Complex, “You will not want to be without __________________ because everyone else will have _________________ and you’ll feel inadequate without __________________.”

A more direct and intense variation of the Borg Complex was on display in Nathan Harden’s essay about the future of higher education. Here are the opening lines:

“In fifty years, if not much sooner, half of the roughly 4,500 colleges and universities now operating in the United States will have ceased to exist. The technology driving this change is already at work, and nothing can stop it.”

Harden sums up his introduction with the announcement, “The college classroom is about to go virtual.”

Kevin Kelly, a tech-guru par excellence and one of unbounded optimism, also exhibits Borg Complex symptoms in his much talked about essay for Wired, “Better Than Human” (the title, it is worth clarifying, was not chosen by Kelly). Early on Kelly writes,

“It may be hard to believe, but before the end of this century, 70 percent of today’s occupations will likewise be replaced by automation. Yes, dear reader, even you will have your job taken away by machines. In other words, robot replacement is just a matter of time.”

And perhaps it may be so. A diagnosis of Borg Complex does not necessarily invalidate the claims being made. The Borg Complex is less about the accuracy of predictions and claims than about the psychological disposition that leads one to make such claims and the posture toward technology in the present that it engenders.

The contrasts among Libin, Harden, and Kelly are also instructive. Libin’s case of Borg Complex is inflected by commercial considerations. I’m not sure the same can be said for either Harden or Kelly. This moves us beyond the work of identifying symptoms and leads us to consider the causes or sources of the Borg Complex. Libin’s case points in one plausible direction. In the case of Kelly, we might reasonably look to his philosophy of autonomous technology. But further consideration of causes will have to wait for a future post.

Until then, carry on with the work of intelligent, loving resistance were discernment and wisdom deem it necessary.

Borg

For Your Consideration – 9

It’s been a while since the last of these posts, so there’s some older stuff thrown in here. Older, of course, by web standards.

“What Turned Jaron Lanier Against the Web?”:

“Social lasers of cruelty?” I repeat.

“I just made that up,” Lanier says. “Where everybody coheres into this cruelty beam….Look what we’re setting up here in the world today. We have economic fear combined with everybody joined together on these instant twitchy social networks which are designed to create mass action. What does it sound like to you? It sounds to me like the prequel to potential social catastrophe. I’d rather take the risk of being wrong than not be talking about that.”

“Google Should Not Choose Right and Wrong”:

“Such technologies endorse a rather impoverished view of their human masters. Humans, no longer seen as citizens capable of deliberation, are treated as cogs in a system preoccupied with self-optimisation, as if the very composition of that system was uncontroversial.”

“Invasion of the Cyber Hustlers”:

“Cybertheorists in general could perhaps be tolerated as harmlessly colourful futurists, were it not that so many of them, through the influence of their consulting work and virtual bully pulpits, are right now engaged in promoting widespread cultural vandalism. Whatever smells mustily of the pre-digital age must be torn down, “disrupted” and made anew in the sacred image of Google and Apple, except more open to the digital probings of the internet- company oligopoly. Long live sharing, social reading, volunteering free labour as a peer student or member of a company’s online “community”, and entrusting your documents to the data-mining mega-corporations that control the “cloud”.”

“The human race: Prosthetics, doping, computer implants: we take every upgrade we can get. But what is waiting for us at the finish line?”:

“For some, perhaps, this is a consummation devoutly to be wished. But it also reveals the essentially religious nature of much singularity-style techno-futurism: such visions constitute an eschatology in which human beings finally sublime into the cybersphere. It is the silicon Rapture — and this reminds us that ‘to enhance’ once meant literally ‘to raise up’. This desire to become machinic implicitly betrays a hatred of the flesh as severe as that of self-flagellating religious ascetics. For the devout of singularity theory, the perfection of humanity is synonymous with its destruction.”

“The End of the Map”:

“But my favorite cartographic error is the Mountains of Kong, a range that supposedly stretched like a belt from the west coast of Africa through half the continent. It featured on world maps and atlases for almost the entire 19th century. The mountains were first sketched in 1798 by the highly regarded English cartographer James Rennell, a man already famous for mapping large parts of India.”

“The Riddle and the Gift: The Hobbit at Christmas”:

“On his death-bed, the dwarf king, Thorin commends Bilbo’s blend of courage and wisdom, adding, “if more of us valued food and cheer and song above hoarded gold, it would be a merrier world.” Food and cheer are transitory pleasures, which take their value from the moment and the company.”

“The Body Medium and Media Ecology: Disembodiment in the Theory and Practice of Modern Media” [PDF]:

“The body as medium and its disembodiment in the theory and practice of media is an imperative problem for media ecology.”

“Jerry Seinfeld Intends to Die Standing Up”:

“In his jokes he often arranges life’s messy confusions, shrewdly and immaculately, into a bouquet of trivial irritants. Seinfeld’s comedic persona is unflappable — annoyed plenty, but unmarked by extremes of emotion, much less tragedy.”

“Why Stephen Greenblatt is Wrong — and Why It Matters”:

“This is a powerful vision of the world entering a prolonged period of cultural darkness. If it were true, then Greenblatt’s second Swerve, the anti-religious polemic, also would deserve every award and plaudit it won. However, Greenblatt’s vision is not true, not even remotely.”

“Saying Goodbye to Now”:

“It’s an era of controlled deprivations and detoxification, of fasts and cleanses. Perhaps everyone should make a weekly ritual of twenty-four hours of undocumented life. Periods of time in which memory must do all the heavy lifting, or none of it, as it chooses, the consequences being what they may be. No phone, no eclipse glasses to mitigate the intensity of what lies before you. The only options are appetite, experience, memory, and later, if so inclined, writing it down.”

Suffering, Joy, and Incarnate Presence

“I have much to write you, but I do not want to do so with pen and ink. I hope to see you soon, and we will talk face to face.” With this, John closed the third New Testament epistle that bears his name. The letter is nearly 1,900 years old, yet the sentiment is entirely recognizable. In fact, many of us have likely expressed similar sentiments; only for us it was more likely an electronic medium that we preferred to forego in favor of face to face communication. There are things better said in person; and, clearly, this is not an insight stumbled upon by digital-weary interlocutors of the 21st century.

Yet, John did pen his letter. There were things the medium would not convey well, but he said all that could be said with pen and ink. He recognized the limits of the medium and used it accordingly, but he did not disparage the medium for its limits. Pen and ink were no less authentic, no less real, nor were they deemed unnatural. They were simply inadequate given whatever it was that John wanted to communicate. For that, the fullness of embodied presence was deemed necessary. It was, I think, a practical application of a theological conviction which John had elsewhere memorably articulated.

In the first chapter of his Gospel, John wrote, “The Word became flesh and made his dwelling among us.” It is a succinct statement of the doctrine of the incarnation, what Christians around the world celebrate at Christmas time. The work of God required the embodiment of divine presence. Words were not enough, and so the Word became flesh. He wept with those who mourned, he took the hand of those no others would touch, he broke bread and ate with outcasts, and he suffered. All of this required the fullness of embodied presence. John understood this, and it became a salient feature of his theology.

For my part, these thoughts have been passing in and out of mind inchoately and inarticulately since the Newtown shooting, and specifically as I thought about the responses to the shooting throughout our media environment. I was troubled by the urge to post some reaction to the shooting, but, initially, I don’t think I fully understood what troubled me. At first, it was the sense that I should say something, but I’ve come to believe that it was rather that I should say something.

Thinking about it as a matter of I saying something struck me as an unjustifiably self-indulgent. I still believe this to be part of the larger picture, but there was more. Thinking about it as a matter of I saying something pointed to the limitations of the media through which we have been accustomed to interacting with the world. As large as images loom on digital media, the word is still prominent. For the most part, if we are to interact with the world through digital media, we must use our words.

We know, however, that our words often fail us and prove inadequate in the face of the most profound human experiences, whether tragic, ecstatic, or sublime. And yet it is in those moments, perhaps especially in those moments, that we feel the need to exist (for lack of a better word), either to comfort or to share or to participate. But the medium best suited for doing so is the body, and it is the body that is, of necessity, abstracted from so much of our digital interaction with the world. With our bodies we may communicate without speaking. It is a communication by being and perhaps also doing, rather than by speaking.

Of course, embodied presence may seem, by comparison to its more disembodied counterparts, both less effectual and more fraught with risk. Embodied presence enjoys none of the amplification that technologies of communication afford. It cannot, after all, reach beyond the immediate place and time.  And it is vulnerable presence. Embodied presence involves us with others, often in unmanageable, messy ways that are uncomfortable and awkward. But that awkwardness is also a measure of the power latent in embodied presence.

Embodied presence also liberates us from the need to prematurely reach for rational explanation and solutions — for an answer. If I can only speak, then the use of words will require me to search for sense. Silence can contemplate the mysterious, the absurd, and the act of grace, but words must search for reasons and fixes. This is, in its proper time, not an entirely futile endeavor; but its time is usually not in the aftermath. In the aftermath of the tragic, when silence and “being with” and touch may be the only appropriate responses, then only embodied presence will do. Its consolations are irreducible. This, I think, is part of the meaning of the Incarnation: the embrace of the fullness of our humanity.

Words and the media that convey them, of course, have their place, and they are necessary and sometimes good and beautiful besides. But words are often incomplete, insufficient. We cannot content ourselves with being the “disincarnate users” of electronic media that McLuhan worried about, nor can we allow the assumptions and priorities of disincarnate media to constrain our understanding of what it means to be human in this world.

At the close of the second epistle that bears his name, John also wrote, “I have much to write to you, but I do not want to use paper and ink.” But in this case, he added one further clause. “Instead,” he continued, “I hope to visit you and talk with you face to face, so that our joy may be complete.” Joy completed. Whatever it might mean for our joy to be completed, it is a function of embodied presence with all of its attendant risks and limitations.

May your joy be complete.