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By one of those odd twists of associative memory, John Caputo’s little book, On Religion, came to mind today. Specifically, I recalled a particular question that he posed in the opening pages.

“So the question we need to ask ourselves is the one Augustine puts to himself in the Confessions, “what do I love when I love God?,” or “what do I love when I love You, my God?,” as he also puts it, or running these two Augustinian formulations together, “what do I love when I love my God?”.

I appreciate this formulation because it forces a certain self-critical introspection. It refuses us the comforts of thoughtlessness.

A little further on, Caputo takes the liberty of putting his words to the spirit of Augustine’s quest:

“… I am after something, driven to and fro by my restless search for something, by a deep desire, indeed by a desire beyond desire, beyond particular desires for particular things, by a desire for I-know-not-what, for something impossible. Still, even if we are lifted on the wings of such a love, the question remains, what do I love, what am I seeking?”

Then Caputo makes an important observation:

“When Augustine talks like this, we ought not to think of him as stricken by a great hole or lack or emptiness which he is seeking to fill up, but as someone overflowing with love who is seeking to know where to direct his love. He is not out to see what he can get, but out to see what he can give.”

Not too long ago I posted some thoughts on what I took to be the Augustinian notes sounded in Matt Honan’s account of his time at the Consumer Electronics Show in Las Vegas. In that post, “Hole In Our Hearts,” I employed the language Caputo cautioned against, but I’m now inclined to think that Caputo is on to something. His distinction is not merely academic.

Plummeting, perhaps, from the sublime to the … what to call it, let us just say the ordinary, this formulation somehow triggered the question, “what do I like when I “Like” on Facebook?” Putting it this way suggests that what I like may not, in fact, be what I “like”. The question pushes us to examine why it is that we do what we do in social media contexts (Facebook being here a synecdoche).

Very often what we do on social media platforms is analyzed as a performance or construction of the self. On this view, what we are doing is giving shape to our identity. What we like, if you will, is the projected identity, or better yet, the perception and affirmation of that identity by others. This, of course, does not exhaust what is done with social media, but it is a significant part of it.

There are, remembering Caputo’s distinction, two ways we might understand this. Caputo distinguished between love or desire understood as a lack seeking to be filled and love or desire understood as a surplus seeking to be expended. This distinction can be usefully mapped over the motivations driving our social media activity.

When we think about social media as a field for the construction and enactment of identities, we tend to think of it as the projection, authentic or inauthentic, of a fixed reality. Perhaps we would do well to consider the possibility that identity on social networks is not so much being performed as it is being sought, that behind the identity-work on social media platforms there is an inchoate and fluid reality seeking to take shape by expending itself.

The entanglement of our loves (or, likes) and our identity on social media has, it turns out, an antecedent in the Augustinian articulation of the human condition. Caputo went on to note that the question of what we love is also bound up with another Augustinian query:

“Augustine’s question — “what do I love when I love my God?” — persists as a life-long and irreducible question, a first, last, and constant question, which permanently pursues us down the corridors of our days and nights, giving salt to fire to our lives. That is because that question is entangled with the other persistent Augustinian question, “who am I?” …

What we love and desire and who we are — these two are bound up irrevocably with one another.

“I have been made a question to myself,” Augustine famously declared. And so it is with all of us. The problem with our talk about the performance of identity is that it tends to tacitly assume a fixed and knowing identity engaging in the performance. The reality, as Augustine understood, is more complex and whatever it is we are doing online is tied up with that complexity.

Many thanks to Kevin Kelly for linking to Matt Honan’s “Fever Dream of a Guilt-Ridden Gadget Reporter.” Writing for Gizmodo, Honan describes his experience at the massive Consumer Electronics Show in Las Vegas and it reads like a passage from Augustine’s Confessions had Augustine been writing in the 21st rather than 5th century.

The quasi-religious overtones begin early on when Honan tells us, ”There was ennui upon ennui upon ennui set in this amazing temple to technology.”

Then, a little further on, comes the passage that caught Kelly’s attention, and deservedly so. Honan writes:

“There is a hole in my heart dug deep by advertising and envy and a desire to see a thing that is new and different and beautiful. A place within me that is empty, and that I want to fill it up. The hole makes me think electronics can help. And of course, they can.

They make the world easier and more enjoyable. They boost productivity and provide entertainment and information and sometimes even status. At least for a while. At least until they are obsolete. At least until they are garbage.

Electronics are our talismans that ward off the spiritual vacuum of modernity; gilt in Gorilla Glass and cadmium. And in them we find entertainment in lieu of happiness, and exchanges in lieu of actual connections.

And, oh, I am guilty. I am guilty. I am guilty.

I feel that way too. More than most, probably. I’m forever wanting something new. Something I’ve never seen before, that no one else has. Something that will be both an extension and expression of my person. Something that will take me away from the world I actually live in and let me immerse myself in another. Something that will let me see more details, take better pictures, do more at once, work smarter, run faster, live longer.”

Here is the confession, the thrice repeated mea culpa, alongside a truly Augustinian account of our disordered attachments and loves complete with a Pascalian nod to the diversionary nature of our engagement with technology.

I call this an Augustinian account not only because of the religiously inflected language and the confessional tone. There is also the explicit frame of an unfulfilling quest to fill a primordial emptiness. Augustine’s Confesssions amounts to a retrospective narrative of the spiritual quest which takes him from dissatisfaction to dissatisfaction until it culminates in his conversion. He famously frames his narrative at the outset when he prays, ”You have made us for yourself, and our hearts are restless till they find their rest in you.” The restless heart knows its own emptiness and seeks, often heroically and tragically, to fill it. It loves and seeks to be loved, but it loves all the wrong things.

Pascal, writing in the shadow of Augustine’s influence, put it thus:

“What else does this craving, and this helplessness, proclaim but that there was once in man a true happiness, of which all that now remains is the empty print and trace? This he tries in vain to fill with everything around him, seeking in things that are not there the help he cannot find in those that are, though none can help, since this infinite abyss can be filled only with an infinite and immutable object; in other words by God himself.”

In his post, “Making Holes in Our Hearts,” Kelly agrees to a point with Honan’s diagnosis, but his interpretation is quite different and also worth quoting at length. Here is Kelly:

“If we are honest, we must admit that one aspect of the technium is to make holes in our heart. One day recently we decided that we cannot live another day unless we have a smart phone, when a dozen years earlier this need would have dumbfounded us. Now we get angry if the network is slow, but before, when we were innocent, we had no thoughts of the network at all. Now we crave the instant connection of friends, whereas before we were content with weekly, or daily, connections. But we keep inventing new things that make new desires, new longings, new wants, new holes that must be filled.

Yes, this is what technology does to us. Some people are furious that our hearts are pierced this way by the things we make. They see this ever-neediness as a debasement, a lowering of human nobility, the source of our continuous discontentment. I agree that it is the source. New technology forces us to be always chasing the new, which is always disappearing under the next new, a salvation always receding from our grasp.

But I celebrate the never-ending discontentment that the technium brings. Most of what we like about being human is invented. We are different from our animal ancestors in that we are not content to merely survive, but have been incredibly busy making up new itches which we have to scratch, digging extra holes that we have to fill, creating new desires we’ve never had before.”

Kelly is on to something here. Discontentment is generative. Dissatisfaction can be productive. When Cain, having murdered his brother, is cursed to be forever a wanderer alienated from God and family, he builds a city in response. Here is an allegory to match Kelly’s observation. The perpetually wandering, alienated heart builds and makes and creates.

But does it follow that we should then celebrate discontentment, dissatisfaction, and unhappiness? I don’t see how. It is hard to cheer on misery, and it is a certain misery that we are talking about here. Perhaps the more appropriate response is the kind of plaintive admiration we reserve for the tragic hero. They may posses a real nobility, but it is finally consumed in despair and destruction.

The narrator of Cain’s story tells us that he built his city in the land called Nod, a name that echoes the Hebrew word for “wandering.” This touch of literary artistry poignantly suggests that even surrounded by the accouterments of civilization the human soul wanders lost and alienated – never satisfied, never home, never secure.

There is at least one other reason why we need not celebrate generative misery. Misery is not the only fount of human creativity. Love, wonderment, compassion, kindness, curiosity, beauty — all of these might also set us to work and marvelously so.

Augustine understood that finding rest for his restless heart in the love of God did not necessarily extinguish all other loves. It merely reordered them. Having found the kind of satisfaction and happiness that our stuff (for lack of a more inclusive word) can never bring does not mean that we can never again create or enjoy the fruits of human creativity. In fact, it likely means that we may create and enjoy more fully because such creation and enjoyment will not be burden with the unbearable weight of filling the primordial vacuum of the human heart.

The simplest and only way to enjoy penultimate and impermanent things is to resist the temptation to invest them with the significance and adoration that only ultimate and permanent things can sustain.

Saint Augustine by Phillippe de Champaigne, c. 1645

I come to fields and vast palaces of memory, where are the treasures of innumerable images of all kinds of objects brought in by sense-perception.  Hidden there is whatever we think about …. When I am in this storehouse, I ask that it produce what I want to recall, and immediately certain things come out; some things require a longer search, and have to be drawn out as it were from more recondite receptacles.  Some memories pour out to crowd the  mind and, when one is searching and asking for something quite different, leap forward into the center as if saying ‘Surely we are what you want?’ With the hand of my heart I chase them away from the face of my memory until what I want is freed of mist and emerges from its hiding places.  Other memories come before me on demand with ease and without any confusion in their order.

This passage is from Augustine’s chapter on Memory in his Confessions, and to some degree it resonates with our own experience of memory.  I suspect, however, that at the same time it may seem as if Augustine’s memory is more expansive than our own and that he has achieved a greater organization and mastery over his memory than what we would claim over ours.  And this is probably about right.

In The Art of Memory,Francis Yates wonders,

It is as a Christian that Augustine seeks God in the memory, and as a Christian Platonist, believing that knowledge of the divine is innate in memory.  But is not this vast and echoing memory in which the search is conducted that of a trained orator?

The “vast palace of memory” that Augustine describes suggests to Yates a memory that has been trained in the artificial memory tradition associated with classical rhetoric.  It is a fascinating tradition that Yates elegantly chronicles in her classic work and which Joshua Foer has revisited in his recently published, Moonwalking with Einstein: The Art and Science of Remembering Everything. You can get an article length taste of Foer’s book in his piece for NY Times Magazine, “Secrets of  a Mind Gamer.”

This may become a well-worn topic around here in coming days, weeks, months, so I’ll apologize in advance for that.  At this point, though, I’ll only throw out the observation that in his rather dense, Memory, History, Forgetting, Paul Ricoeur considers various abuses of memory including artificial memory.

Coming back to Augustine, he goes on to write of memory,

It is a vast and infinite profundity.  Who has plumbed its bottom?  This power is that of my mind and is a natural endowment, but I myself cannot grasp the totality of what I am.  Is the mind, then, too restricted to compass itself, so that we have to ask what is that element of itself which it fails to grasp?  Surely that cannot be external to itself; it must be within the mind.  How then can it fail to grasp it?  This question moves me to great astonishment.  Amazement grips me.

This is a remarkable observation of the inability of memory, and the mind more generally, to encompass itself.  His wonder at the complexity and opaqueness of the “inward man” is one of Augustine’s most significant and enduring contributions to the Western tradition. The recognition that there is an element of itself that the mind fails to grasp, that “the mind knows things it does not know it knows,” predates the Freudian unconscious by a good 1500 years.

Finally, this astonishment and amazement also lead Augustine to question why we are not all equally amazed by the mystery and wonder that is a human being:

People are moved to wonder by mountain peaks, by vast waves of the sea, by broad waterfall on rivers, by the all-embracing extent of the ocean, by the revolutions of the stars.  But in themselves they are uninterested.

A good reminder that the most amazing thing about the universe that contains such wonders may be the creature who is able to contemplate them, be moved by them, and hold them in memory.

I had to come across this in a somewhat obscure scholarly journal, so assuming you may not come across it there, I’ll put in your way here, an even more obscure blog.

“I Dreamed I Saw St. Augustine” by Bob Dylan:

I dreamed I saw St. Augustine
Alive as you or me
Tearing through these quarters
In the utmost misery
With a blanket underneath his arm
And a coat of solid gold
Searching for the very souls
Whom already have been sold

“Arise, arise,” he cried so loud
In a voice without restraint
“Come out, ye gifted kings and queens
And hear my sad complaint
No martyr is among ye now
Whom you can call your own
So go on your way accordingly
But know you’re not alone”

I dreamed I saw St. Augustine
Alive with fiery breath
And I dreamed I was amongst the ones
That put him out to death
Oh, I awoke in anger
So alone and terrified
I put my fingers against the glass
And bowed my head and cried

Copyright © 1968 by Dwarf Music; renewed 1996 by Dwarf Music

There is a version on YouTube by Joan Baez, no slouch to be sure, but not quite the inimitable voice and feel of Bob Dylan.  If you want to hear Dylan, you’ll have to find the song elsewhere.

James K. A. Smith on marketing, desire, and the erotic:

“In a culture whose civic religion prizes consumption as the height of human flourishing, marketing taps into our erotic religious nature and seeks to shape us in such a way that this passion and desire is directed to strange gods, alternative worship, and another kingdom.  And it does so by triggering and tapping into our erotic core — the heart.  Thus in marketing one finds the promise of a kind of transcendence that is linked to a certain bastardization of the erotic.  Certain modes of advertising appeal more directly to eros, to sexual desire and romantic love, and then in a  move of substitution, channel our desire into a product — or at least associate the product with that desire and promise a kind of fulfillment ….

… I think we should first recognize and admit that the marketing industry — which promises an erotically charged transcendence through media that connects to our heart and imagination — is operating with a better, more creational, more incarnational, more holistic anthropology than much of the (evangelical) church.  In other words, I think we must admit that the marketing industry is able to capture, form, and direct our desires precisely because it has rightly discerned that we are embodied, desiring creatures whose being-in-the-world is governed by the imagination.  Marketers have figured out the way to our heart because they ‘get it’:  they rightly understand that, at root, we are erotic creatures — creatures who are oriented primarily by love and passion and desire.  In sum, I think Victoria is in on Augustine’s secret.”    (Desiring the Kingdom, 76)

The Victoria in question is, of course, the purveyor of a certain line of woman’s attire.  Augustine’s secret, as Smith puts it, is the recognition that human beings are embodied, desiring animals before they are thinking, rational beings.  We aim at life with our heart, not with our mind — the heart here standing for all the emotional, affective, visceral and bodily dimensions of the human person.

An example of why Augustine remains a compelling diagnostician of the human condition.  From Book I of St. Augustine’s Confessions:

O God, my God, “what miseries I experienced” at this stage of my life, and what delusions when in my boyhood it was set before me as my moral duty in life to obey those who admonished me with the purpose that I should succeed in this world, and should excel in the arts of using my tongue to gain access to human honors and to acquire deceitful riches.  I was next sent to school to learn to read and write.  Poor wretch, I did not understand for what such knowledge is useful.  Yet if ever I was indolent in learning, I was beaten.  This method was approved by adults, and many people living long before me had constructed the laborious courses which we were compelled to follow by an increase of the toil and sorrow of Adam’s children.

And a little further on he adds,

But we loved to play, and punishments were imposed on us by those who were engaged in adult games.  For the ‘amusement of adults is called business’.  But when boys play such games they are punished by adults, and no one feels sorry either for the children or for the adults or indeed for both of them …. As a boy I played ball-games, and that play slowed down the speed at which I learned letters with which, as an adult, I might play a less creditable game.  The schoolmaster who caned me was behaving no better than I when, after being refuted by a fellow-teacher in some pedantic question, he was more tormented by jealousy and envy than I when my opponent overcame me in a ball-game.

The most interesting thing here, as I see it, is not so much the image of young Augustine being beaten and caned.  One assumes Augustine was fairly advanced for his age  and was most likely quite bored.  What strikes me is how Augustine gently undermines the seriousness with which as adults we treat our “less creditable games” and how he exposes the pettiness that never quite leaves us as we grow older.  Rather as it becomes more “serious” it becomes more destructive.  One gathers that in maturing into adulthood we grow more “serious” in all the wrong ways.

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